Search: Starring Laurence Fishburne

Kevin Spacey is really the highlight of the film. Every scene he's in springs to life, his laid back performance blowing the younger cast out of the water.

This is all about building on a blueprint of predictability and then going for the heartstrings as much as possible.

Small of scale but big of heart, Ant-Man And The Wasp is a light and charming outing for a staggering film juggernaut.

Undoubtedly, a masterpiece, this three-and-a-half hour version puts body on the flesh of what was already a great movie.

Clips along at a fast enough pace for you to avoid noticing its flaws.

Richet is at his best when moving quickly - he's a director in love with momentum.

Like a mutant monster, barreling out of control and straining to contain its own shifting form.

From the outset, Biker Boyz feels like every sporting film that has been before.

Estevez uses Bobby’s words too much, but you can’t blame him, because Kennedy’s compassion and sympathy for the underprivileged shines.

Fishburne would be watchable even in a washing powder advert and for as long as he's on screen the film just about holds itself together.

After a compelling start and a long, immersive second act, sadly Contagion starts to peter out towards the end.

The anatomy of CSI remains hale and healthy and is, in the ninth season of the show, arguably strengthened by the loss of old characters and the introduction of new ones.

Way too inspired for the end result to be intentional.

While the gags are aimed squarely at a family audience, there’s nothing wrong with that and this is certainly a film you could take even tiddlers to without worrying they are going to have nightmares later.

Evan Schiff's editing is probably the best seen in any film of the past year, and Dan Laustsen's cinematography allows director Chad Stahelski to explore noirish landscapes without sacrificing the high energy vibe.

I can't really fault the action sequences. I can take issue with just about everything else.

Overall, King Of New York is distinguished from similarly themed films by its willingness to embrace the gangster genre's exploitative nature; it's as shallow as a puddle but it's riveting viewing all the same.

Carell is extremely impressive here.

The first two acts are so strong, it's almost a shame that the invasion plot arrives, and things start blowing up real good.

Visually it is astonishing, not only because of its effects and techno trickery, but cinematically the Wachowskis are so audacious.

The second in the trilogy is less innovative and more windy in the speechifying department.

The Matrix Trilogy began with such energy and originality... now it seems more like an expensive video game.

It is described simply as “A Fable”, but there is nothing simple about this over-ambitious allegorical sprawl.

Abrams combines kinetic action sequences with internal logic-fuelled storytelling to give us an impossible mission head, shoulders and a rabbit's foot above the previous two instalments.

The director (Clint) takes it easy, letting the actors walk through their roles in style.

Penn is powerful; Bacon is sharp; Robbins is troubled; Fishburne is alert. Having them here is a privilege and a pleasure

Dreams Warriors is not only one of the better entries in the series, it is also a thrilling fantasy-horror film in its own right.

It disappoints on two fronts. The directors, Bobby and Peter Farrelly, love vulgar so much they can't be anything else and the complexity of the human body is too wondrous for a bunch of animators to figure out.

The concept of being trapped in solitary confinement for the rest of your natural is a goose bump reversal experience

Rodriguez's up-close, tightly focused direction means our eyes are always drifting toward the shifting focus of the background, hyper-alert for a shimmering Predator cloak.

There's no subtlety here. Follow the dots.

This is not so much a study in stereotypes, courtesy of Jimmy Dean’s legacy, but a love poem to the restless, doomed, anarchic integrity of orphaned hearts.

The film gaily sets about asking a number of questions it has no intention of answering.

The Turtles movie that I'd have loved as a boy.

It's fun. It's quite unabashedly so, which is something too many movies based on this sort of property are afraid of.